Archive for the ‘Review’ Category

A Positive Canon 40D Review by e-fotografija

Wednesday, September 26th, 2007

Here is a positive review of the Canon 40D by www.e-fotografija.si with some of the pictures taken in a nightclub by Žiga Intihar as the reviewer. The low light performance was taken in a nightclub and looks like everyone was having a great time.

His writes: “To summarize – Canon made a big step forward in just about every area - image quality, usability, ergonomics and features. The only thing that’s lacking, compared to the Canon EOS 5D, is a full frame sensor. In every other respect, the 40D is as good or better than the 5D.”

For the full review click here.

Canon 40D Interactive Review by Prophotohome

Thursday, September 20th, 2007

Here is an interesting review by Prophotohome.com where the review is interactive based. They review different features of the camera with each entry.

The first entry is the AI Servo Autofocus performance where they write:

“From the very first time we saw the specs for this camera we were impressed by what was being offered for the money. Just a few years ago 6.5 fps would have been considered more than enough for serious sports photography. It is weather sealed to boot. Could we really have a serious sports camera for $1,299? It immediately occurred to us that we would indeed have to do the running test on this camera to see how it compares to the 1D MKIII and 1D MKII.”

For the full review, it can be found here

Canon 40D Review by Roland Lim

Monday, September 3rd, 2007

Although reviews of the Canon 40D are still in development - Roland Lim in his blog called “The World According to Roland” has already published his.

In his review, he compares the new Canon 40D to his old Canon 20D. The Canon 20D is almost identical to the 30D and does give a fair comparison.

He writes: “Personally, I think Canon has done a good job with the 40D and has upgraded and added many new useful features. Image quality wise, I don’t think there is any significant differences between the 40D and 30D/20D. There is little difference in real resolution between a 10MP and 8MP sensor. In my opinion, Canon has managed to maintain the high ISO noise level while increasing the mega pixel count. However, there was no major breakthrough in technology and the 40D is not lower in high ISO noise than the 20D or 30D. I have previously done some high ISO test comparing the 40D to 20D.

Overall, I think the 40D provide a nice feature upgrade over the 20D and 30D and at an attractive price. Whether it is worthwhile for you to upgrade to the 40D is something only you can decide for yourself. For me, I am really happy with the 40D. However, my 20D is still working fine and can still take great photos. So I will be keeping my 20D as a 2nd and spare body.”

In summary, the Canon 40D is a great camera and has maintained its silky smooth noise free high ISO images whilst increasing its resolution from 8 to 10 mega pixel.

Source

Sigma AF 17-70mm f/2.8-4.5 DC (Nikon) Review

Thursday, June 7th, 2007

Photozone.de has an excellent review on the Sigma AF 17-70mm f/2.8-4.5 DC lens which is one of many standard zooms available for Nikon DSLR users. Compared to the rest of the gang it offers a relatively long zoom range (~ 4 x ratios) combined with a relatively large max. aperture at 17mm.

They write: “The Sigma AF 17-70mm f/2.8-4.5 DC is a very good standard zoom and a viable alternative to the Nikon offerings in this range. Generally it is capable to produce very sharp results although the corner performance leaves a bit to be desired at 17mm at large aperture settings. The vignetting level could also be a bit better here but most competitors don’t offer an f/2.8 settings anyway and from f/4 it follows the mainstream. The level of distortions is about typical for a standard zoom whereas chromatic aberrations (color shadows) are comparatively low. The build quality is very fine for a lens in this price league.”

Source

Nikon D200 versus the Canon 5D

Tuesday, March 28th, 2006

www.DigitalCamerainfo.com has an excellent head on comparison between the Nikon D200 and the Canon EOS 5D. Although they did not give their own recommended conclusion, they did highlight the advantages and disadvantage of each camera.

Here is the their conclusion

“We elected to debut our Head-to-Head review format with a comparison of the Nikon D200 and Canon EOS 5D - the latest designs by the two premiere DSLR manufacturers. Again, we chose the Canon EOS 5D and not the EOS 30D because the 30D internals are over a year and a half old, while the 5D much more accurately illustrates where Canon is in their developmental progression. In comparing these cameras, many core differences between Nikon and Canon’s approach becomes apparent. Canon has directed their efforts towards developing and engineering the camera’s internal components – manufacturing most of their own parts, particularly their sensors, and concentrating on high ISO performance, dynamic range, and obviously high resolution. Nikon on the other hand, has focused more on furthering the general design of the camera – engineering fast, reliable autofocus, flexible metering, logical control layout, and advanced flash capabilities. Both the D200 and EOS 5D have a lot to offer consumers: high resolution, strong dynamic range, fast internal processors, and extensive control at price points that would have been impossible just a year or two ago. However, neither presents a perfect camera.

The D200 is a much faster camera with a more logical ergonomic design. With the Nikon, users can turn the camera on and snap off a shot in a single motion - an action that would require two hands and far more time with the 5D. The D200 can also shoot 5 frames a second, while the 5D can only muster 3. This combined with the D200’s more robust body (not to mention its more affordable price tag), makes it a much more formidable alternative for photojournalists or casual shooters.

At lower sensitivity settings (ISO 100-400), the two cameras produce images of comparable quality in terms of noise, color, dynamic range and sharpness. While the 5D still retains a slight edge, the difference is negligible for the quality both cameras produce. However, once the sensitivity is pushed to ISO 400 and beyond, Canon earns the extra $1,300 tacked on the 5D’s price tag. At sensitivity settings beyond ISO 500, the 5D continues to create images of exception quality, while the D200 falters and produces results more consistent with consumer-level designs.

Most photographers will admit that timeless images and their relationship to the equipment that produced them has had more to do with the design of the camera than the quality of images it produced. However, image quality is where the EOS 5D justifies its price tag and pulls away from the D200, and depending on the demands of the shoot or profession, the additional quality may be necessary.

These two models stand to represent the leading DSLR manufacturers and indicate that professional-level quality is now accessible to general consumers. Nikon has voiced that they will remain with APS-sized sensors, alluding to less expensive models than Canons counterparts; while Canon will continue to develop their full-frame designs and at least for the time being, offer an advantage at high sensitivities. Although there is a significant degree of differentiation in these two particular models and each manufacturer’s current design ideology, both represent remarkable breakthroughs in their own right that continue to force the rest of the industry to play catch-up.”

My bet is the more affordable Nikon D200. Click here for the full review

Canon 30D review by Dsresource

Thursday, March 23rd, 2006

Jeff Keller from Dcresource has an excellent review on the much anticipated Canon 30D. Although the Canon 30D is an upgraded 20D, the improvements are not as large as the Nikon D200 is to the Nikon D100. Beside the softer images and a less bright LCD, the Canon 30D still gets a top rating from Jeff. Here’s a conclusion of his review.

“The Canon EOS-30D is an excellent midrange digital SLR. While it’s new features aren’t exciting enough to get this 20D owner to run out and upgrade, those who are moving up from point-and-shoot or entry-level D-SLRs should definitely give the 30D a look.

From most angles the 30D looks just like its predecessor, the EOS-20D. But take a look at the back of the camera and you’ll see the most noticeable difference: a large 2.5″ LCD display. While the screen isn’t as bright or sharp as the one on the Nikon D200, it’s still much nicer than the one found on the 20D or Rebel XT. The 30D is very well put together, with a metal core and solid plastic and rubber outer shell. The controls are well-placed, and Canon hasn’t gone overboard with buttons. Some of the controls, like the four-way controller and playback zoom buttons, are downright useful. Like the 20D before it, the 30D supports both EF and EF-S lenses, and the 1.6X focal length conversion ratio is unchanged.

The 30D is a power user’s dream camera, with tons of manual controls and custom settings. You’ve got all the usual manual exposure controls plus class-leading white balance controls. The camera now has the same Picture Styles menu as the EOS-5D, which lets you quickly change things like sharpness, color, and contrast. If you’re not an enthusiast, don’t fret: the 30D has an auto mode and several scene modes as well. The camera is fairly easy-to-use, too.

People buy digital SLRs for their great performance, and the 30D delivers in this area. From its near-instant startup speed to the “shoot as fast as you can compose” shot-to-shot speeds, the 30D is a screamer. The continuous shooting mode is excellent, and now you have two speeds to choose from, in case 5 frames/second is too fast. Low light focusing was both accurate and responsive, thanks to the camera’s flash-based AF-assist system. Battery life is also very good and about 10% better than on the 20D.

Photo quality was excellent on this 8.2 Mega pixel camera. Photos were well-exposed, with accurate colors, very low noise levels (even at high ISO sensitivities), and minimal purple fringing. As is the case with most D-SLRs, photos are on the soft side straight out of the camera, and you can compensate for this by increasing the in-camera sharpening a bit. One thing that really got nailed home during my time with the 30D is how important lens quality is. I bought the Canon 17 - 85 EF-S lens a few months back, and have been less than thrilled with its sharpness — and you’ll see the results in the photo gallery. Slap on some better glass and you’ll get much sharper photos, as the photos taken with my 50 mm lens attest.

There really aren’t any major negatives to talk about here. The only thing that pops into my head is that the 30D isn’t a very exciting upgrade over the 20D. Then again, that camera didn’t need a lot of improving in the first place.

The EOS-30D earns my highest recommendation, and its right up there with the Nikon D200 as a best-in-class midrange D-SLR.

What I liked:

* Excellent photo quality (with the right lenses)
* Very low noise, even at high ISOs
* Solid, well designed body; useful playback zoom buttons
* Large 2.5″ LCD display
* Full manual controls, including nice white balance controls
* Robust performance, especially in terms of continuous shooting
* Great low light focusing
* All the expandability you’d expect from a D-SLR; two ways to attach an external flash
* USB 2.0 High Speed support
* Impressive software bundle; camera can be controlled from Mac or PC

What I didn’t care for:

* Images on the soft side straight out of the camera; some lenses just exacerbate the problem
* LCD not as bright/sharp as the one on the Nikon D200

Some other digital SLRs worth looking at include the Canon EOS-20D (still available for $1299), Fuji FinePix S3 Pro, Konica Minolta Maxxum 7D, Nikon D200, Olympus EVOLT E-500, and the Pentax *ist DS2.

As always, I strongly recommend trying the EOS-30D and its competitors before you drop the big bucks on a digital SLR! “

Click here for the full review.

Dpreview reviews the Canon 5D

Saturday, November 12th, 2005

Phil Askey, the owner of Dpreview has completed his indepth report on the Canon 5D. A 12 megapixel, full frame CMOs sensor in a compact Digital SLR camera body.

He has given the camera a “Highly Recommended”, the highest rating on his reviews. His overall conclusion of the camera is as follows:

“A lower-priced full-frame digital SLR was a logical step for Canon, the only thing we weren’t sure of was how that camera would look when it arrived. Up until now if you wanted a Canon mount full frame camera you would go for the EOS-1Ds / Mark II or the now discontinued Kodak Pro SLR/c. Since the advent of the digital SLR many photographers have been looking forward to the day they could (afford to) buy a body with a full frame sensor which would mark the ‘complete transition’ of 35 mm photography into digital.

The EOS 5D with its sub-$4,000 price tag was introduced to a fairly rapturous reception among existing Canon owners here on dpreview as well as the two ends of the spectrum from other brand owners; everything from jealousy and incredulous dismissal. It’s pretty clear that two camps have now established themselves, quite a few people have nailed their preference to the wall, being in the “Full Frame or nothing” group or the “Cropped is better” group.

The task for us in this review was an interesting one, first of all we had to review the camera in the same way we would any other digital SLR but also to explore many of the assumed advantages and disadvantages, myths and facts around full-frame. The results of our ‘extended test suite’ were a confirmation of what we expected (and knew), that a full frame camera fully exposes the limits of the lens used and that simply because the pixel pitch is larger we aren’t automatically going to get more dynamic range and lower noise. (Remember the EOS 5Ds pixel pitch is the same as the EOS-1D Mark II).

The EOS 5D is a fantastic photographic tool which is capable of producing really excellent results. The caveat is that it takes a little more care and understanding of your equipment (especially lenses). We found resolution to be absolutely excellent with crisp detailed results straight from the camera (JPEG) and even more detail available if you shoot RAW. Different ‘looks’ can be easily achieved via Picture Styles (almost like changing film) and the range of in-camera image parameters has been expanded. Noise levels are essentially identical to the EOS 20D as is dynamic range, this is neither a surprise or a disappointment, it simply means consistency and the maintaining of an expectation built by Canon in the performance of its CMOS sensor.

If you want a (new) Canon full frame digital SLR the choice now is between the $3,299 EOS 5D or the $7,999 EOS-1Ds Mark II. As we have demonstrated the EOS-1Ds Mark II does deliver more detail and resolution but to the majority of photographers this advantage will be wasted (although this is unlikely to be a deciding factor for decided EOS-1Ds Mark II buyers, its advantages over the 5D are far more wide ranging). Thus to anyone looking for the ‘purity’ of full frame (and a Canon mount) the EOS 5D would be absolutely Highly Recommended.

For everyone else however it’s a hard decision. If the EOS 5D had been introduced a couple of years ago before the availability of designed-for-digital ultra-wide angle zoom lenses it could easily have walked away with a clear lead against ‘cropped sensor’ models. However there are many photographers quite happy with the results they get from their current cameras, only history will tell if the EOS 5D is the start of a full frame revolution or simply the first of a new niche format.”

Highly Recommended

For the full indepth review visit here